Monday, October 3, 2011

Three Cows Shot Me Down! Avengers #89


Avengers 89 (June 1971)
"The Only Good Alien..."
Roy Thomas-Sal Buscema/Sam Grainger

Doug: Welcome to what will be a two months-long examination of perhaps the seminal graphic novel at Marvel Comics. Roy Thomas' 9-part masterpiece known as "The Kree/Skrull War" is one of the oft-lauded stories of the Bronze Age, so it's fitting that we get down to business and review this mammoth here at the BAB. We'll be running posts in the series each Monday (with the exception of Avengers #93, which will run on a Tuesday (due to the fact that Halloween is on a Monday, and you know Karen will want to "monster up" on that day!). Karen and I will take turns being the "lead voice" as we move through, and today I'll drive this train. So strap in -- this should be a fun ride!

Karen: This saga means a lot to me. It's my all-time favorite comic book continued story, and I was there right as it unfolded. Avengers 92 was my first Avengers comic. Now I'm not going to say that when I first read the Kree-Skrull War, I actually understood the story -I was only six years old! But I kept going back to it, and reading it again and again. Over time, I came to see it as more than just cool super-heroes in colorful outfits; this was a true epic adventure. So you can bet your bottom dollar that I'm going into this with a biased opinion.

Doug: In case you were wondering about the title of today's post (and indeed this series), it comes from a suggestion Neal Adams made to Roy Thomas at the bottom of the splash page to Avengers #93, Adams' first issue as penciller and co-plotter. Roy had been percolating the idea of the K/S War, but felt like he was meandering with it. Neal asked if he could take it and run, and Roy concurred. Adams decided to use the Skrulls who were left as cows at the end of Fantastic Four #2; we'll see how it turned out in a few weeks, and why Adams chose that phrase as his suggested title.

Karen: From what I gather, there's a little bit of conflict between the two over who came up with what. Of course, Adams was not happy when John Buscema was brought in to wrap up the series.

Doug: We open in slam-bang mode as the Avengers (consisting only of the Vision and Quicksilver and the Scarlet Witch) come upon the Kree Captain Mar-Vell. The Avengers accost him, telling him that they mean him no harm and that he must come with them... for his own good. This inflames the seemingly distraught Captain, and it's game on. Of course Pietro takes the lead (a - because he's fast, and b - because he's just like that), but Mar-Vell socks him a good one. Next up is the Vision, but Mar-Vell evades him with a blast; when Wanda steps to the fore, it's retreat-time for the Kree. Landing on a rooftop, Mar-Vell is felled by a blast from a ray-gun... a gun fired by Rick Jones!

Karen: At this stage Mar-Vell still seems to take some pride in his Kree heritage: "Who are you to tell a man of the Kree what to-" It was surprising to see how well he fared against these Avengers, even if the fight was fairly abbreviated.

Doug: Rick doesn't feel too good about what he's done to his former "alter ego". The Avengers nonetheless get Mar-Vell to a quinjet and then whisk him away to the Cape Kennedy Hospital, where they rush him inside and get him hooked up to what looks like a high-tech hair dryer from back in the day (raise your hand if you ever went to the beauty shop with your mom and she sat under one of the things like you see on the cover of this comic).

Karen: As they head off, Wanda points out that she and her brother, being mutants, and Mar-Vell, being an alien, are all strangers in a strange land. Of course the Vision is sitting right there, and certainly he's got it harder than any of them! It's interesting that this group of Avengers is easily the most unconventional and outcast of any group before, and possibly since.

Doug:As the machines hum, Rick flashes back to how this whole thing got started. As he was playing a gig, Mar-Vell appeared to him and showed him a vision of Reed Richards adrift in the Negative Zone (see Fantastic Four #109), being hunted by Annihilus. Somehow Richards had managed to seemingly split himself into multiple images to confuse Annihilus. As Mar-Vell, also adrift in the Neg. Zone, watched as Richards made his way toward a small opening in the fabric of space, and disappeared through it. And so Mar-Vell told Rick that he had to get immediately to the headquarters of the FF.

Karen: This just reminds me that I need to get my hands on some of those pre-Starlin Captain Marvel comics. I'm not even sure how Rick and Mar-Vell got joined. I'm certain I've read it somewhere but it escapes me now. Of course it's a total rip-off (or homage, take your pick) to the original Captain Marvel and Billy Batson.

Karen: Another thing to point out is that already in this first issue, Roy is bringing in threads from other comics (Fantastic Four) and weaving them into his tapestry. By the time he was done with this story, he had done an incredible job of connecting characters and events to really explore and expand the Marvel Universe.

Doug: Rick did as he was told, but Mar-Vell suddenly ordered him to switch places. As Rick banged together the bracelets which served as the catalyst for the body-switch, Mar-Vell appeared and Rick Jones was himself exiled to the Negative Zone. Mar-Vell started into the Baxter Building, but after being confronted by a security guard chose the express route -- by flight! Landing on the 35th floor, Mar-Vell gained easy entry, and then ripped open a steel door to gain access to the Negative Zone portal room. The mission is now evident -- to figure out a way to allow Mar-Vell and Rick to occupy the same space coincidentally. As Rick screamed in fear of being watched by an unseen nemesis, Mar-Vell figured out how to open the portal. Rick jumped through, but at the same time so did someone else -- Annihilus! And at that very same minute, the Avengers arrived, serving as "got your backside" assistance to the out-of-town FF! Needless to say, a melee ensues, and it's a real free-for-all.

Karen: I don't know -it's pretty one-sided. Quicksilver bounces harmlessly off Annihilus, and for some reason, which makes absolutely no sense, Wanda's hex power can't affect him. It's only the Vision who really gives him difficulty.

Doug: The Vision orders Rick to flip the switch that allowed passage to the Neg. Zone; Rick does just that, and Annihilus begins to feel the pull of the neg-gravity. He latches onto the Vision, who goes first diamond-hard, and then intangible. As Annihilus had let up a bit, he's not ready and is sucked back into the Neg. Zone. You know, it was cool to see someone else's baddie guesting in the Avengers' mag -- I'd have liked to have seen more! In all of the confusion, Mar-Vell ducked out and snagged a quinjet. He took off for Florida and Cape Kennedy -- boy gonna hijack himself a rocket ship!

Karen: Maybe it's just because I always liked him, but doesn't it seem like the Vision was always saving the day way back when?

Doug: The Avengers give pursuit, and we come back to the present with Mar-Vell hooked to the machine. The Avengers had noticed abnormally high radiation levels left in the Baxter Building near where Mar-Vell stood. It was now a race to find the Kree Captain, and make him well. As Mar-Vell was being treated, it became apparent to his doctors that if the nega-energy wasn't entirely eradicated it could come back. The Vision offered to exchange his own solar energy with Mar-Vell if it would help. Hooked up, the process was completed, with both heroes down for the count.

Karen: That process seemed a little confused. The technician said they were almost out of power, and the Vision offered to supply his power -but the art and caption has him blasting Mar-Vell with his solar jewel! Very odd.

Doug: Cut to the Kree homeworld, where the Supreme Intelligence has encountered Ronan the Accuser, one he had formerly banished. But Ronan had returned, crushing the Supreme Intelligence's guardians. Claiming that he was now in control, Ronan is even able to activate the Kree Sentry -- as fate would have it, on ice at Cape Kennedy... but no longer!

Karen: As far as I'm concerned, this is the only Sentry!

Doug: Oh, I couldn't agree more! You may have just raised a future topic -- comic book characters who never should have existed...



Doug: And come back tomorrow for a bonus post: a little Discuss-ion!

12 comments:

Anonymous said...

Doug - not only do I remember my mom sitting under one of those things, I remember that I would only consent to go with her if she would stop at the drug store spinner rack next door and buy me some comics to read while she sat in that chair.

Tom

Fred W. Hill said...

I didn't get serious about collecting comics until a few months after the Kree-Skrull War, but I was there for Jim Starlin's run in Captain Marvel where I first got an inkling of what I'd missed. Much later I paid $25 for Avengers #93 (the most I've ever paid for any comic) and gradually got the whole epic, in either reprints or back issues, including this one. Sal Buscema's art suffers only in comparison with Neal Adams; it serves the story well enough but doesn't enhance it, providing the real sense of epic wonder that Neal would provide, or that Kirby gave to his most epic tales in the FF and Thor or Starlin gave to Captain Marvel & Warlock. Or, to give credit to an often overlooked earlier epic, Ditko's classic multi-issue Dormammu/Mordo/Eternity Dr. Strange extravaganza.
One thing I noticed after I'd managed to collect nearly all of Roy Thomas' run on the Avengers is that it wasn't until about the middle of the Kree-Skrull War that the Big Three -- Thor, Iron Man and Captain America -- all returned to stay as active members for several years running after having been mostly inactive save for ages, Iron Man & Thor since ish 16, Cap since somewhere between issues 40 and 50. I know it was Stan's desire to keep the Big Three's appearances sporadic at most in the title, apparently to avoid continuity foibles with their own series, but he appears to have relented by this time, just before he got his big promotion and Roy took over as Marvel's top editor.

Rip Jagger said...

This is the BIG ONE for me amigos!

I started full speed into comics with the debut of Captain Mar-Vell and I was a hardcore fanboy of the Kree Captain right up through his demise in the capable hands of Jimbo Starlin.

The Avengers was my fave comic at the time this storyline started featuring my fave hero alongside my fave team fighting some outrageous baddies.

I agree with the good things said about this Sentry. He is awesome, implacable and resilient.

The Kree-Skrull War would've broken the internet if we'd had one.

I look forward to this series!

Rip Off

Doug said...

Thanks for the comments, guys. Karen and I were beginning to think this series was going to be some big intergalactic DUD! Late save by Fred and Rip -- we were about to get a complex, as Spidey used to say.

Hopefully we'll live up to the significance of this great story.

Doug

Edo Bosnar said...

How can you think this one would be a dud? Since I came into comics later than a lot of you guys (i.e. roughly mid-1970s) I missed this one by quite a bit, but the Kree-Skrull war was always sort of a Holy Grail for me - frequent tantalizing references in the comics of "my" time, and incredibly expensive back issues and no reprint editions.
In fact, I only read the whole thing through rather recently, when I found a reasonably priced used copy of the TPB. Damned if you guys don't get me to read it again just to keep up with your reviews.

Doug said...

Edo --

We don't think the Kree/Skrull War is a dud -- we were beginning to think our review of Part 1 was a dud! I mean, c'mon... over 300 people viewed this post, and only four (including you) had anything to say about it?

It could just make a reviewer question whether or not they still have a voice, that's all.

Hey, all readers -- it's conversation that we want to be about around here!

Thanks,

Doug

Edo Bosnar said...

I'm wondering if the lack of comments might be due to a problem I had with your other post about reboots - i.e., blogger is again insisting on commenters to register and/or log-in, instead of just allowing standard name/URL or anonymous comments...

Doug said...

Ah, yes -- the lovely changes that occur behind the scenes. I was happy to see that the picture/slideshow feature has been dismissed, and you can now view images single-screen with the ability to enlarge when possible.

Or maybe the post just wasn't all that interesting ;)

Doug

david_b said...

Sorry for the delay, I've been waiting for this review for a while.. I just had a long response all typed out on my BB, but lost it going throught TX today on a rare vacation with the Mrs..

I respect the magnitude of this saga greatly, but the execution was hit-miss... LOVED Sal's art, effectively underscoring the drama and impending build. Never liked Neal's art in ish 93 (I also bought it for $25 in '83..). It just didn't look like 'Avengers art', somewhat defeating the 'Avengers saga'.., plus he draws a lousy FF.

Looking forward to the remaining reviews..!

david_b said...

Doug, your review was awesome, looking forward to everyone's input on the rest of this grand saga..!

Doug said...

It's funny, because we always comment on the art but this time did not. I'm wondering if anyone else felt that Sam Grainger's inks were just a bit heavy? Not necessarily "slick heavy" as Sinnott, but I guess just a bit "off". There's no mistaking the lay-outs of Sal -- they are evident in his style, facial expressions, etc. But some of the linework just felt a bit too broad to me.

Doug

Chris said...

I've only read these issues once a few years ago after finally getting them all from the back-issue bins.

To tell the truth...after all the hype/significance etc., I was kinda disappointed.

However, I plan to re-read along with you guys to see if (on a second reading) it get's better with age.

I'll let you know what I think..

Related Posts with Thumbnails